Mary Jackson Pitts, Ph.D.
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Mary Jackson Pitts, Ph.D.
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You can also download this file in Word by clicking here.Post Production Editing• Linear Editing– You copy a section of the source tape and edit it to a master tape in the planned sequence.• Can be Analog or Digital• Source material cannot be accessed randomlySingle source editing• One VTR player and one VTR Recorder• Joined by an edit controller or edit controller unit.The Editor•
Marks and remembers frame locations on the source tape and the record
tape.
•
It sets the
preroll(Five Seconds)
•
Allows you to lay down
video or audio or both at the same time.
•
Controls search modes (forward and back)
•
Displays elapsed time and frames
•
Simultaneously starts both machines and keeps them in sync.
The Editor• Previews edits• Check edits after they have been made• Assemble and Insert Mode• Limited to cuts only transitions.Multiple Source Linear Editing• Two Source Machines or More• A mechanism for transitions– Dissolves, wipes, and other special effects– Pulse count system is what we have with most of our machines• The other terms is control track.– Time Code System or address code system.Pulse count system or control track system• Deals with video frames• And where that frame is.• 30 frames = one second– 01-44-23-15• Frames accuracy is sometimes difficult.– Slippage is possible.Pulse count system or control track system• Rewind tape completely and zero the counter before logging or editing.– Speed for which some projects can be edited.Time code address system• Each frame is marked with a different number and a specific address.• More precise than control track• Called the SMPTE time code.– SEMPTY time code– Society of motion picture and television engineers/European Broadcasting Union time code. |