(Back to Honors Seminars Home Page)

A Concise History of Love and Death

Gustav Klimt's "The Kiss"

 This This upper-level seminar will require of students a degree of “sophistication” in order to grasp some difficult concepts, such as the contradictions between the Greek and Judaic worlds with regard to love and the interaction between created and creator, of Ovid’s Courtly Love, the medieval “Courtly Love Tradition,” and the rise of Romanticism.  In like manner, the development of heaven as we understand today has gone through dramatic changes over the centuries—and millennia—so that funerary practices and their meanings have changed so much as to be unrecognizable today.  Such a study will parallel that of love, as death demonstrates a meaning far different for the Hebrews than that which it would become after the Macabees, what it meant to the Greco/Roman world, and its adaptation to the rise of the early Church.  Death, in fact, becomes attendant to love, as Freud wrote with regard to the two “drives” or instincts of existence.   Love and Death, as works such as


How do we understand Heaven, what do we know of Hell?  How many other societies have fashioned such concepts, and in what manner do they disagree?  This class seeks to look into the totems and taboos that may have given rise to belief, to practices in which people conceive of an afterlife, the necessary preparation, and what they may take with them.

As well, we may ask what the emotion "love" means, how we recognize it, define it, or live it.  People in any given era tend to think that prevalent conceptions of love and the afterlife remain constant; this course demonstrates that, not only untrue, but many of the practices and beliefs of cultures not too far removed from our own would hardly be recognizable to us.  Heaven and Hell have not always been as considered today; love has changed from marrying for any reason other than physical love (lust) to the only acceptable reason today, which include flowers, songs, and words that borrow from heavenly images that desecrate the true reason for marriage.

From the Madonna to Lancelot and Guinevere, or from the "Sleepers" who awake, bound for eternity, to the Millennialists who await the Rapture, we'll explore all the notions of love and the afterlife that have prevailed over the centuries, or find currency today.
Edvard Munch's "Death in the Sick Room"

 

 

Mor IIncluded among the books we'll read, as well as suggested:
Philippe Ariès, The Hour of Our Death
A Brief History of Heaven

Andreas Capellanus, Courtly Love
Philip Agee, A Death in the Family
Victorian Ghost Stories
 
Ovid's Courtly Love
Freud's Totem and Taboo
Shakespeare's Othello
 ... and some additional suggestions forthcoming.
 
As opposed to the usual tests and papers, students will write a series of short papers, answering questions/analyzing materials covered in the class.  

 

This

This page maintained by Wayne Narey; suggestions and comments appreciated--please contact wnarey@astate.edu