ENG. 3643, AFRICAN-AMERICAN FOLKLORE
Spring 2004
Wilson 315, 9:30-10:45 a.m.
Instructor:
Richard Burns
Office:
Wilson 213 Office phone:
972-3043
Office hours: TR: 2-4 p.m. (or by appointment)
COURSE DESCRIPTION:
African-American culture and history as illuminated
through folk and popular music, oral narratives, and other New World black
traditions.
REQUIRED TEXTS:
Alan Dundes, ed. Mother Wit from the Laughing Barrel: Readings in the
Interpretation of Afro-American Folklore. Jackson: University
Press of Mississippi, 1990.
Lawrence W. Levine, Black Culture and Black
Consciousness: Afro-American Folk Thought from Slavery to Freedom. Oxford:
Oxford University Press, 1977.
Robert Palmer, Deep Blues. New
York: Penguin Books, 1982.
John Michael Vlach, By the Work of Their Hands: Studies in Afro-American Folklife.
Charlottesville: University Press of Virginia 1999 [1991].
COURSE REQUIREMENTS:
Two in-class essay examinations, each worth
approximately 30% of your final grade.
One 8-10 page typed double-spaced term paper, worth approximately 40% of
your final grade (additional guidelines will be forthcoming). Required readings must be completed by
the dates listed on the calendar.
You are also responsible for any materials distributed in class or
covered in lectures and class discussions.
COURSE OUTLINE: (Reading assignments are due prior to each week* of
class. The following is subject to
modification):
Jan. 13-15:
COURSE INTRODUCTION/OVERVIEW; BASIC CONCEPTS AND DEFINITIONS. Lawrence
W. Levine, "Preface." In Black Culture and Black Consciousness, pp. ix-xvi.
Jan. 20-22:
BLACK FOLK BELIEF. Lawrence W. Levine, "Chapter One: The Sacred
World of the Black Slaves" and "Chapter Three: Freedom, Culture, and
Religion." In Black
Culture and Black Consciousness,
pp. 3-80, 136-189. Leonora Herron and Alice M. Bacon, "Conjuring and
Conjure Doctors"; Norman E. Whitten, Jr., "Contemporary Patterns of
Malign Occultism Among Negroes in North Carolina"; Robert Winslow Gordon,
"Negro 'Shouts' from Georgia"; James Lovell, Jr. "Social
Implications of the Negro Spiritual"; and H. B. Parks, "Follow the
Drinking Gourd." In Mother
Wit from the Laughing Barrel, pp.
359-368, 402-418, 445-468.
Jan. 27-29: THE
AFRICAN-AMERICAN FOLKTALE: ORIGIN AND MEANING. Lawrence W. Levine, "Chapter Two: The Meaning of the
Slave Tales." In Black Culture
and Black Consciousness, pp.
81-135; Alan Dundes, "African Tales Among the North American
Indians." In Mother Wit
from the Laughing Barrel, pp.
114-125; Xerox of Richard M.
Dorson's "Origins of American Negro Folktales." In American Negro
Folktales, pp. 12-18.
Feb. 3-5:
THE AFRICAN-AMERICAN
FOLKTALE (CONT.).
Feb. 10-12:
AFRICAN-AMERICAN SECULAR SONG IN THE 19TH CENTURY: AFRICAN ROOTS, NEW
WORLD OFFSHOOTS. Lawrence W.
Levine, "Chapter Four: The Rise of Secular Song." In Black Culture and Black Consciousness, pp. 190-297.
Feb. 17-19:
AFRICAN-AMERICAN SECULAR SONG IN THE 20TH CENTURY: THE BLUES. Robert Palmer, Deep Blues,
pp. 1-47; Richard Alan Waterman, "African Influences on the Music of the
Americas." In Mother Wit
from the Laughing Barrel, pp.
81-94. Discussion of research
project.
Feb. 24-26:
THE BLUES (CONT.). Robert
Palmer, Deep Blues, pp. 48-310.
Mar. 2-4:
THE BLUES (CONT.). Alan
Lomax, "I Got the Blues"; and Samuel C. Adams, Jr. "The
Acculturation of the Delta Negro."
In Mother Wit from the Laughing Barrel, pp. 469-486, 515-521. Discuss progress of
research project, abstract and sources for collecting data. Abstract due March 11.
Mar. 9:
MID-TERM EXAM.
Mar. 11:
HEROES, BAD MEN, AND BLACK FOLK HUMOR. Lawrence W. Levine, "Chapter Five: Black
Laughter." In Black Culture and Black Consciousness, pp. 298-366. (Turn in paper abstract).
Mar. 15-20: SPRING BREAK
Mar 23:
HEROES, BAD MEN, AND BLACK FOLK HUMOR (CONT.) "Chapter Six: A Pantheon of Heroes," and
"Epilogue." In Black
Culture and Black Consciousness,
pp. 367-445. Turn in abstract Oct.
22.
Mar. 25:
First Day of Delta Blues Symposium (no class—more on this later)
Mar 30- Apr. 1: HEROES, BAD MEN, AND BLACK FOLK
HUMOR (CONT.) Zora Neale
Hurston, "High John de Conquer"; Harry Oster, "Negro Humor: John
& Old Master"; Leon R.
Harris, "The Steel Drivin' Man"; and Richard M. Dorson, "The Career of 'John
Henry.'" In Mother Wit
from the Laughing Barrel, pp.
541-577.
Apr. 6-8: BLACK FOLKLORE IN THE CITY. Roger D. Abrahams, "Playing the Dozens"; Claudia Mitchell
Kernan, "Signifying"; William Labov, Paul Cohen, Clarence Robins, and
John Lewis, "Toasts"; Nathan and Joanne Kantrovitz, "Meet 'Mr.
Franklin': An Example of Usage"; and H. Rap Brown, "Street
Smarts." In Mother Wit
from the Laughing Barrel, pp.
295-356. Discuss ongoing research
Apr. 13-15: AFRICAN-AMERICAN MATERIAL CULTURE. By
the Work of Their Hands, pp.
ix-104. Term paper due April 15.
Apr. 20-22: AFRICAN-AMERICAN MATERIAL CULTURE. By the Work of Their Hands, pp. 107-213.
May 3: FINAL EXAM: 8-10 A.M. For study guide to Final Exam, click here.
*
If you are unavoidably absent, you are responsible for any information or
materials covered during that session.
If you miss more than six class meetings (i.e., a total of three weeks
of class) during the semester, I reserve the right to lower your final grade by
one letter. If you are absent during an exam, you must have a
verifiable justifiable excuse and you must take a make-up within one week upon
your return. Late work will
receive one grade lower for each day past the due date. Attendance is extremely critical in
performing well in this course.