Mary Jackson Pitts, Ph.D.

 

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mpitts@astate.edu

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Text centered Criticism

•      A text is something verbal

•      Text is thought to be open and evolving

•      There is a level of stability and instability in meaning

•      There is a level of production and reception

–    Meaning depends on the weaver

•    What the makers intended and the viewers got

•      Multiple codes

–    Finding the text

  Text Centered Criticism

•      Text can be a variety of things.

–   Dialogue

–   Visual

–   Aural

–   Non verbal communication

 Text Centered Criticism

•      Assigning meaning

–    Sequences of signs arrayed in codes where the interpretor experiences in common ways

 

 Text Centered Criticism

•      Assigning meaning

•      Dialogic approach

–   Meaning is constructed socially through the interaction of the variety of languages that emanate from a given text.  (Newcomb, 1984)

 

 Text Centered Criticism

•       (Newcomb, 1984)

–   Linguistic and etymological basis.

–   Words are uttered by characters

•   Vande Berg suggests that Newcomb has an incomplete definition of the dialogic approach. 

•    It is suggested that tv does not occur in a vacumn.

•    But happens in a particular circumstance or or situation.

•    

Semiotics

 

•      – The study of signs and the way they work.

 

 

 Codes of televisual communication

•      Verbal Codes- Linquistic units

•      Verbal Codes- Communication Arts

•      Visual Codes- Orientation

•      Visual Codes- Complex Meaning Systems

•      Acoustic Codes-

 

 Codes of televisual communication

•       Multiple levels of interpretation

 

 Codes of televisual communication

•        interpretation– differences

–   Social situations

–   Open and closed texts

–   Polyvalence

–   Recoding and poaching

 Codes of televisual communication

•        Meaning varies with people.

Types of textual  criticism

•      Semiotic-structural

•      Generic

•      Rhetorical

•      Narrative

 

 

Semiotics

•       Seiter, E. (1987) Semiotics and Television.  In, Channels of discourse by Rober Allen (ed). University of North Carolina Press: Chapel Hill.

Semiotics:  Coined by Charles Peirce(not merely linquistics) and advanced by Ferdinand de Saussure (looked at words).

 

•      How is meaning created, not what is meaning.

–   Peirce said signs were broken into two parts signifier and signified.

 Text Centered Criticism-  Saussure

•      The sign- Umberto Eco says “a sign is everything, that that on the grounds of a previously established social convention, can be taken as something standing for something else.

–   Signifier

 

–   Signified

 Text Centered Criticism– Charles Peirce

•      Words get meaning from their differences with other words in the sign system of language.

–   Focal length of camera lens, lighting, angle, color and composition are signifiers

 Peirce

•      A sign can be broken into three parts

–   Representament- = signifier

–   Object = signified

–   Interpretant—The sign we use to translate the first sign. 

•   We will constantly be translating signs.

Peirce

•      Three categories of signs

–   Symbolic

•   A rainbow symbolizes hope

•   A flag symbolizes a nation

–   Seiter says semiotics has a one of its goals making us conscious of the use of symbolic signs on television, so that we realize how much of what appears naturally meaningful on tv is acutally historical and changeable.

 

 

 

Peirce

•      Three categories of signs

–    Iconic

•   The signifier structurally resembles its signified.

•    These must be learned.

•   Can become as natural to us as symbolic signs.

 

Peirce

•      Three categories of signs

–   Indexical

•   Linked between signifier and signified

 

 

Metz

•       Suggests image, written language, voice,  music and sound effects are the five channels of communication.

•        I will add visual effects

•      Suggested tv and film could not be analyzed using the same system.

Metz

•      Its possible that all five channels might be in use at one time, there rendering a degree of redundancy

•      Semiotic may take a less condemning view of tv.

   

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